![]() Interspersed between the photos in Ligon’s installation are quotations from philosophers, activists, curators, historians, religious evangelists, and individuals concerned with censorship issues. He conceived of Notes on the Margin of the Black Book (1991–93).Ĭreated in the years after Robert Mapplethorpe’s death, Notes on the Margin of the Black Book (1991-93) presents framed pages excised from a copy of The Black Book (1986), a volume of Mapplethorpe’s photographs of African and African American men that has been criticized for objectifying and fetishizing its subjects. In taking a look at Robert Mapplethorpes’, The Black Book, Ligon realized that he wanted to sort out the effect of these images of African and African American masculinity had on him as well as on others. Born out of New York City in the 60s, Ligon pursues an incisive exploration of American history, literature, and society across a body of work that builds critically on the legacies of modern painting and photography. Glenn Ligon Notes on the Margin of the Black BookĬonceptual artist Glenn Ligon appropriates text and images, transforming them into works that ways how race and sexuality shape the visual field. The Black Book, Mapplethorpe s homage to the African and African American male body, is one of the most important visual contributions to the discussion on beauty, sensuality, and sexuality in photography. His technical ability is flawless and takes the black-and-white photo to its limit, using subtle, but dramatic, lighting to create weighty sculptural forms. Mapplethorpe's subject matter is portraits, still lifes, nudes and landscapes. The Black Book, first published in 1986, presents 96 formally stringent and highly erotic nudes, all of them photographs of men of the African diaspora, either as full figures, or staged as details, as fragments of their bodies. He exhibited a great mastery on how to appreciate a little difference between a spectrum of dark and light gray’s. His body of work features a wide range of subjects. Mapplethorpe worked primarily in a studio, and almost exclusively in black and white, with the exception of some of his later work and his final exhibit "New Colors". Robert Michael Mapplethorpe was an American photographer, best known for his black-and-white photographs. WARNING : As a preface, some of the images depicted may contain nudity or sexual content and is intended for a mature audience. A few house keeping before we get started. ![]() Foregrounding race and sexuality, Ligon’s work is primarily concerned with the construction of African and African American identity as it is articulated through words and images. Entitled, Notes on the Margin of the Black Book this masterful collection of images and assorted quotes by Ligon highlights African and African American masculinity and African and African American Identity through the usage of contextual images coupled with quotes from activists and critics of Mapplethrope. In this series of contextual artworks, we will explore Glenn Ligons’ rebuttal to Robert Mapplethorpe, The Black Book. Glenn Ligon, a conceptual artist of the 90s, too, responded to the book in a notable way. The book incited a range of responses, creating somewhat of a moral outrage. The Black Book supposedly centers an astonishing photographic study of African and African American men "today". In 1986, Robert Mapplethorpe published The Black Book, a selection of idealized and nude photographs of men of the African diaspora. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to. If you would like to reproduce text from a MoMA publication, please email. For more information about film loans and our Circulating Film and Video Library, please visit. For access to motion picture film stills for research purposes, please contact the Film Study Center at. Motion picture film stills cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
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